Perhaps no scene evokes more pathos for fans of the original trilogy than the first climax in The Empire Strikes Back, in which Han Solo is encased in carbonite. In this subset of Studying Skywalkers, we look at the anatomy of a scene, and how it enriches not only the particular film, but inserts crucial moments of story that enable the audience to come to know this universe in a more profound and insightful way. Each one tells its own story, and helps to reveal much more detail than one might originally suspect. The English idiom “A picture is worth a thousand words” works well here, as many frames and moments in the saga speak volumes about what is going on in a scene. Much has been said about the craft of film when examining the Star Wars cinematic universe and that is because each movie is replete with visual splendor. The latter is of particular interest here, in that Star Wars is not only a terrific story with beloved characters, but also is cinematic art. It can be entertaining, can feature insights into the human condition, and can enrapture us with beautiful and profound imagery. In this installment, examines character reactions to Han Solo’s placement in carbonite from a contextual, cinematic perspective.Ī Star Wars film speaks to its audience on many different levels, and in many different ways. Studying Skywalkers is an exclusive column that investigates the characters, themes, and lessons of Star Wars from an educational, literary perspective. Breaking down one of the saga’s most haunting sequences.
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